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Day: January 15, 2017

January 15, 2017January 15, 2017 ross

Made in China: More Than Just 70% Good

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Recent Posts

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  • Franjo: Chilled Out And Ready To Play December 5, 2019
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  • Getting It Right in The Play That Goes Wrong November 22, 2019
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  • The Great Society Makes History Riveting – Even for Teenagers November 20, 2019
  • Two Stars Rise Up to Queen Status Playing Different Types of Royalty: Tina and Evita November 18, 2019
  • Public Theater’s The Michaels Expands the Rhinebeck Road with Panoramic Dance, Luckily. November 14, 2019
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  • Transport Group Drives the Bus Forward with Pride All the Way to Broadbend, Arkansas November 12, 2019
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  • Public’s Soft Power Deserves More Than What The Lightning Thief Won in Battle. November 3, 2019
  • A Woman of the World Played by a Magnificent Woman of the Theatre October 31, 2019
  • CSC’s Macbeth Rushes Forward October 29, 2019
  • The Sound Inside is Quietly More Powerful Than the Loud and Frantic Rose Tattoo October 27, 2019
  • Roundabout Gets Lost on its Way to Scotland, PA October 26, 2019
  • Forbidden Broadway: The Next Generation Sparkles Like a Fake Diamond that Ain’t Too Proud to be Rude and Witty October 24, 2019
  • Say Hello To The Coop: Part Two – Andrus Nichols Forms An Inclusionary Theater Company October 23, 2019
  • MCC’s The Wrong Man is on Fire Body and Soul October 22, 2019
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  • Little Shop of Horrors Opens Its Camp Classic Doors Once Again October 18, 2019
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  • Belting and Chasing Rainbows Center Stage at the Paper Mill Playhouse October 11, 2019
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  • Slave Play has Broadway Processing Up a Grand Storm of Entanglements October 6, 2019
  • Becoming Nini: The Story of Robyn Hurder’s Audition for Moulin Rouge October 6, 2019
  • Arena Stage’s “Right to be Forgotten” Star John Austin Talks About Not Judging a Book by Its Cover, Digitally. October 3, 2019
  • NYTW’s Expands the Cycle with a Crowded “runboyrun” & a Solidly Finished “In Old Age” October 1, 2019
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  • The Height of the Storm – Another Thunderously Stellar West End Import September 27, 2019
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  • American Moor Powerfully Projects Forth Wisely September 15, 2019
  • Day 3 at TIFF19 – ‘Hope Gap’ Navigates the Edge with Skill and Sure Footedness September 15, 2019
  • West End’s Betrayal Comes to Broadway September 13, 2019
  • Day 2 at TIFF19 – ‘Clifton Hill’ Shines Bright in Dark and Mysterious Neon September 12, 2019

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