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Day: April 5, 2019

April 5, 2019 ross

The Cradle Will Rock and Sing Like a Song Bird

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Recent Posts

  • Second Stage’s Dying City Needs Some Resuscitation June 18, 2019
  • Brits Off-Broadway’s Square Go Runs Circles Around the Competition June 16, 2019
  • 59E59 Theater’s Handbagged is Overstuffed but Intriguing June 13, 2019
  • Frankie and Johnny Basks in the Clair de Lune’s Determined and Frightening Moonlight June 12, 2019
  • Unmaking Toulouse-Lautrec Needs a Bit of Reconstructive Surgery June 9, 2019
  • Paper Mill’s Beauty and the Beast Should Be Seen Through The Eyes of a Child. June 4, 2019
  • 2019 Tony Winners, Nominations, and my (pretty accurate) Predictions. June 4, 2019
  • Octet Harmonizes Spectacularly the Demon of Technology June 2, 2019
  • Happy Talk Deflates But Ireland Floats Up High May 27, 2019
  • The Wild Energy of School Girls Explodes Inside Mac Beth May 25, 2019
  • Caroline’s Kitchen Burns Up at 59E59 May 23, 2019
  • As the Fridge Hums, So Does Curse of the Starving Class at Signature May 21, 2019
  • The 2019 Chita Rivera Award Winners Announced May 20, 2019
  • Cherry Lane Theatre Gives Us Some Solid Original Sound to See and Hear May 19, 2019
  • safeword. serves up titillation undercooked and awkward May 17, 2019
  • 17 Border Crossings Flies Above the Walls May 16, 2019
  • The Pink Unicorn Leads Us Forward Through the Darkness into the Light May 15, 2019
  • The Public’s Socrates Speechifies with Challenged Splendor May 13, 2019
  • 2019 Outer Critics Circle Award Winners Announced – Hadestown Wins Big May 13, 2019
  • Ain’t Too Proud Sings a Straight Forward Historical Motown Tune Beautifully May 12, 2019
  • Gary A Sequel to Titus Andronicus Slays Big Time May 12, 2019
  • Be More and More Chill on Broadway, Please. May 9, 2019
  • Hillary and Clinton: A Brilliant Alternate Middle on a Planet Far Far Away May 8, 2019
  • The 2019 Lucille Lortel Award Winners May 6, 2019
  • Tootsie The Musical: What She’s Selling, Most Joyfully, I’m Buying May 6, 2019
  • Manhattan Theatre Club’s INK is an All CAP Kinda Wonderful British Adventure May 4, 2019
  • The Theatre World Awards Announced May 4, 2019
  • A Global Statement About All My Sons Stumbles May 1, 2019
  • The Shed’s Norma Jeane Baker of Troy Layers One on Top of the Other with Talented Focus April 29, 2019
  • Some Good Junk Delivers the Financial Goods at Arena Stage April 28, 2019
  • A Star Studded Tommy Scores at the Kennedy Center April 27, 2019
  • The 2019 Chita Rivera Award Nominations Announced April 26, 2019
  • Hadestown Hits Hot and High Way Down Below Magnificently April 26, 2019
  • Beetlejuice Knocks Us Up For a Hilarious B&W Stylistic Loop April 25, 2019
  • The 2019 Drama Desk Award Nominations, Predictions, and Winners April 25, 2019
  • The Public’s White Noise at a Powerfully Electric High Volume April 25, 2019
  • The Interview Alex Ringler Dishes on A CHORUS LINE April 24, 2019
  • The Pain of my Belligerence, a Great First Date with Halley April 23, 2019
  • The Outer Critics Circle Award Nominations 2019 Announced April 23, 2019
  • Broadway’s Burn This Flickers Moderately Against the Cold Draft of Loss. April 21, 2019
  • King Jackson in Lear April 20, 2019
  • Nothin’ Like an Oklahoma! Cowboy Singing a Serenade April 17, 2019
  • 2019 Drama League Awards Nominations Announced. April 17, 2019
  • Paper Mill’s Benny & Joon, the Musical Sweetly Plays for Keeps On a Ukulele April 15, 2019
  • The Naked Boys Singing Director Dishes On Star Wars, Fandom, And His Whimsical New Work April 15, 2019
  • The Public’s Ain’t No Mo’ Fills Us Up April 14, 2019
  • ATC’s The Mother Fractures into Pieces Bombastically April 11, 2019
  • A Theatre Junkies Guide to London Theatre, 2019 April 8, 2019
  • The Cradle Will Rock and Sing Like a Song Bird April 5, 2019
  • The Constitution Comes to Broadway on the Back of Heidi, not Hamilton April 4, 2019

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