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Day: April 5, 2019

April 5, 2019 ross

The Cradle Will Rock and Sing Like a Song Bird

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Recent Posts

  • The Rage of Narcissus Rages On at Theatre Passe Muraille, Toronto May 21, 2023
  • The Sound Inside Captivates at Toronto’s Coal Mine Theatre May 20, 2023
  • The Chinese Lady on Dynamic Display at Crow’s Theatre, Toronto May 18, 2023
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  • MTC Celebrates Theatrical Royalty in “Summer, 1976” May 11, 2023
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  • The 2023 Tony Award Nominations Announced May 2, 2023
  • 2023 Theatre World Award Winners Announced May 2, 2023
  • The 2023 Drama League Award Winners (and Nominations) Announced May 1, 2023
  • The Non-Magical Lands of LCT’s “Camelot” and Broadway’s “New York, New York” April 30, 2023
  • Broadway’s Singular Sensational “Prima Facie” April 29, 2023
  • 2023 Chita Rivera Award Winners (and Nominations) Announced April 28, 2023
  • “God of Carnage” Too Simply De-evolves into Chao Superficially April 27, 2023
  • 2023 Drama Desk Award Nominations Announced April 27, 2023
  • “Fat Ham” Glitters Gloriously on Broadway April 26, 2023
  • The 2023 Outer Critics Circle Award Winners are Announced April 26, 2023
  • Broadway Peter Pan Goes Wrong Flies in the Rightest of Ways April 24, 2023
  • Tarragon’s “Paint Me This House of Love” Illuminates the Pain That Can’t Be Hidden With One Coat April 23, 2023
  • A Dutiful and Desirable Summer at Stratford Festival 2023 April 19, 2023
  • Body So Fluorescent Glows Extra Strong and Bright at Buddies Toronto April 18, 2023
  • The New Group’s “The Seagull/Woodstock, NY” and Soulpepper’s “The Seagull” Flies Out With Force in Uniquely Different Ways Over a Vastly Different Lake April 16, 2023
  • The Captivating “Vierge” Vibrates with Spiritual Energy at Factory Theatre Toronto April 15, 2023
  • “How To Defend Yourself” Punches Strong at NYTW April 13, 2023
  • Bob Fosse’s Dancin’ Rides High, But Slowly Loses Its Steam Heat. April 11, 2023
  • The Public’s “The Harder They Come” Dreams Big April 9, 2023
  • “The Hooves Belonged to the Deer” Shoots Wild and True at Toronto’s Tarragon Theatre April 8, 2023
  • Punctuate! Theatre’s “First Métis Man of Odesa” Touches Our Collective Heart Against a Backdrop of War and Disease April 7, 2023
  • Great “Shucked” bests Bad “Bad Cinderella” on Broadway April 4, 2023
  • Sweeney Todd Kills and Eats Up the Competition on Broadway April 2, 2023
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  • Broadway’s A Doll’s House Meticulously Stunning Revival Soars Like a Birdie Above That Clumsy Cat on a Hot Tin Roof March 26, 2023
  • The Unpacking of the First Métis Man of Odesa, An Interview March 25, 2023
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  • Soulpepper Theatre’s English Speaks Volumes With Humor and Pain February 27, 2023
  • Titanique is Céline “Fu**ing” Dion Unsinkable February 25, 2023
  • Anthony Rapp’s Without You Gets the Rent Right, But Disconnects When it Gets Personal February 25, 2023
  • Leo Reich: Literally Who Cares?! Well, Maybe I do. Most Definitely. February 22, 2023
  • Audible’s Lucy Builds Tension, But to What End? February 21, 2023
  • The Memory of Trees, An Interview February 20, 2023
  • Roundabout’s The Wanderers Does Exactly That, But Fails to Find its Way to the Core February 18, 2023
  • 2ST’s Between Riverside and Crazy Rotates to Great Heights on Broadway February 2, 2023
  • Broadway’s A Beautiful Noise Tries Hard, Without a Lot of Sing Song Blues to Run With January 31, 2023
  • MTC’s The Collaboration Makes Disposable Sellable Art for Consumption January 27, 2023
  • NYTW’s Merrily We Roll Along Triumphs in Reverse, Wonderfully January 24, 2023

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