January 18, 2026January 19, 2026 ross

Being Alive: When Talk Is Free Theatre Trusts Sondheim, “Company” Soars

January 16, 2026January 16, 2026 ross

Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock”

January 15, 2026January 15, 2026 ross

Meeting The Fantasticks for the First Time—Through a Queer Lens

January 14, 2026January 14, 2026 ross

“The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart

January 13, 2026January 12, 2026 ross

Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter

January 10, 2026 ross

My Favourite Week of the Summer is at The Stratford Festival

January 1, 2026December 31, 2025 ross

A Wish and What Comes After: “Into the Woods” at the Bridge Theatre

December 29, 2025December 29, 2025 ross

A Town, a Bully, and the Moment Everything Breaks: “Kenrex” at The Other Palace

December 26, 2025December 26, 2025 ross

“You Deserve More”: The Spectacular Miscalculation of Broadway’s “The Queen of Versailles”

December 18, 2025December 17, 2025 ross

Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond