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Tag: neil patrick harris

May 8, 2022May 8, 2022 ross

NYCC Encores’ Soars High Into The Woods

August 26, 2015August 26, 2015 ross

The Closing of Hedwig

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Recent Posts

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  • LCT Unearths a Fantastically Bizarre Skin Of Our Teeth to Slide Down Into May 24, 2022
  • 2022 Drama League Award Winners May 20, 2022
  • Paradise Square Far Too Earnestly (R)Evolves onto Broadway May 20, 2022
  • Six, The Lehman Trilogy, Kimberly Akimbo Win Big at the 2022 Outer Critics Circle Awards May 20, 2022
  • for colored girls… Gives Broadway a Slice of Captivating Power May 17, 2022
  • The 2022 Drama Desk Nomination Announced Today May 16, 2022
  • Steppenwolf’s The Minutes Unmaskes For the Good of All People on Broadway May 16, 2022
  • Take Me Out on Broadway Unpacks Discomfort (But Not Your Phone) Beautifully May 13, 2022
  • New York Drama Critics’ Circle Winners Named May 13, 2022
  • It Takes Three (Companies) For These Two (Sisters) to Act So Powerfully for (She) the One in the Intense Is God Is May 12, 2022
  • Which Way To The Stage Lights Itself Up Strong, Smart, and Hilariously. May 10, 2022
  • The 2022 Tony Award Nominations May 9, 2022
  • NYCC Encores’ Soars High Into The Woods May 8, 2022
  • Funny Girl on Broadway Has About Three Strikes Against It (and if you know baseball, you know what that means) May 7, 2022
  • Broadway’s A Strange Loop Leaps High Across the Divide May 2, 2022
  • The Smell of Death Hillariously Never Really Vanishes for the Hangman on Broadway May 1, 2022
  • Outer Critic Circle Nominations Announced April 26, 2022
  • Two Very Different Memory Plays: How I Learned to Drive and Birthday Candles April 26, 2022
  • Public’s Suffs Majestically Climbs Those Hard Earned Stairs Beautifully April 23, 2022
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  • Mint Theater Revitalizes its Celebrated Revival, The Daughter-in-Law For Us All to Dig Into April 11, 2022
  • Atlantic Theater Tests Power and Humor with Toossi’s Extraordinary Play, English April 9, 2022
  • The Human Voice in the West End Connects Even When Disconnection is at its Core March 31, 2022
  • MCC Theater Wins The War with Space Dogs, the Musical March 29, 2022
  • Mike Bartlett’s Cock Stands Up Strong in the West End March 25, 2022
  • The New Group’s Black No More Rushes In and Awkwardly Dances Forward March 20, 2022
  • The Grand’s Room: A Wonderful Evening’s Escape March 18, 2022
  • Audible Theatre’s Long Day’s Journey Into Night Finds Sizzle in its Shortening March 11, 2022
  • Actress/Activist Pooya Mohseni On Her Role In Sanaz Toossi’s ENGLISH – Part 2 March 5, 2022
  • The Long and Intensely Satisfying Prayer for the French Republic March 5, 2022
  • Out of Time at the Public Delivered Crisply In, Wisely Knitted by NAATCO March 1, 2022
  • Broadway’s Revival of The Music Man Entertains Charmingly February 28, 2022
  • MTC’s Skeleton Crew Projects Power and Hope on the Factory Wall February 20, 2022
  • Actress/Activist Pooya Mohseni On Her Role In Sanaz Toossi’s ENGLISH February 15, 2022
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  • The Black and White Tragedy of Macbeth in a Brilliant Stark Construct January 18, 2022
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  • The Lost Daughter Sizzles Under the Hot Greek Sun Spectacularly January 1, 2022
  • Broadway’s Gender-Swapping Company Elevates Itself to Rises Up and Cheer December 28, 2021
  • Spielberg’s Gamble Wins Big with his Spectacular West Side Story December 26, 2021
  • Second Stage Serves Up the Tastiest of Sandwiches with Clyde’s by Nottage December 25, 2021
  • Sondheim’s Assassins Shoots Simply and Right On Target December 24, 2021
  • ATC’s Kimberly Akimbo Soars Young and High on Some Glorious Older Wings December 21, 2021
  • Public Theater’s cullud wattah of Flint Unpacks and Informs December 19, 2021

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