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Month: July 2016

July 31, 2016July 31, 2016 ross

Cats Forever? Probably Not

July 30, 2016July 30, 2016 ross

Three Penny Opera: London Theatrical Tour Part 5

July 26, 2016August 2, 2016 ross

Nice Fish, Having Fun Out on an Abstract Lake in Minnesota

July 22, 2016July 22, 2016 ross

Unreachable: London Theatrical Tour Part 4

July 19, 2016 ross

Romeo and Juliet: London Theatrical Tour Part 3

July 18, 2016July 18, 2016 ross

Privacy, Or Lack There Of.

July 15, 2016July 15, 2016 ross

Funny Girl: London Theatrical Tour Part 2

July 11, 2016July 12, 2016 ross

Blue/Orange: London Theatre Tour Part 1

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Recent Posts

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  • Reporting and Reviewing & Juliet in the West End, Toronto, and NYC’s Broadway August 2, 2022
  • The Latest Broadway Revival of Into the Woods Climbs Way Up High, Even Higher than Before. July 28, 2022
  • Between the Lines Skips Along in a Wicked-ly Fun Way, Yet Taking the Long Way Home July 25, 2022
  • The Kite Runner Flies High and Strong on Broadway July 21, 2022
  • Atlantic Theater’s The Bedwetter Shines Above and Beyond its Shame. I Swear. And So Does This Show. A Lot. July 19, 2022
  • Shakespeare in the Park’s Richard III Fails to Inspire, Even With All Its Groundbreaking Positioning July 11, 2022
  • Stratford Festival’s Chicago Razzle Dazzles Us All, Finally June 30, 2022
  • The Chita Rivera Awards Kick Up Their Heels Once Again June 21, 2022
  • Toronto’s Factory Theatre Magnificently Ignites Paquet’s Wildfire, Most Strong, Bright, and Deliciously Weird June 21, 2022
  • 2ST’s To My Girls Doesn’t Bite Down Hard Enough Where and When It Probably Should June 21, 2022
  • The Halved Too Long/Too Short (But Still Very Magical) Harry Potter Hits Toronto June 20, 2022
  • The 75th Tony Award Nominations, My Predicitons, And Now the Winners 🏆 June 10, 2022
  • Buddies in Bad Times Queer Pride Fest Arrives, And I Couldn’t Be More Stoked June 9, 2022
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  • Broadway’s The Little Prince Fails to Fly May 30, 2022
  • Broadway’s POTUS Deliciously Delivers the C-word Hilariously May 27, 2022
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  • LCT Unearths a Fantastically Bizarre Skin Of Our Teeth to Slide Down Into May 24, 2022
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  • Paradise Square Far Too Earnestly (R)Evolves onto Broadway May 20, 2022
  • Six, The Lehman Trilogy, Kimberly Akimbo Win Big at the 2022 Outer Critics Circle Awards May 20, 2022
  • for colored girls… Gives Broadway a Slice of Captivating Power May 17, 2022
  • The 2022 Drama Desk WINNERS ANNOUNCED May 16, 2022
  • Steppenwolf’s The Minutes Unmaskes For the Good of All People on Broadway May 16, 2022
  • Take Me Out on Broadway Unpacks Discomfort (But Not Your Phone) Beautifully May 13, 2022
  • New York Drama Critics’ Circle Winners Named May 13, 2022
  • It Takes Three (Companies) For These Two (Sisters) to Act So Powerfully for (She) the One in the Intense Is God Is May 12, 2022
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  • Two Very Different Memory Plays: How I Learned to Drive and Birthday Candles April 26, 2022
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  • Mint Theater Revitalizes its Celebrated Revival, The Daughter-in-Law For Us All to Dig Into April 11, 2022
  • Atlantic Theater Tests Power and Humor with Toossi’s Extraordinary Play, English April 9, 2022
  • The Human Voice in the West End Connects Even When Disconnection is at its Core March 31, 2022
  • MCC Theater Wins The War with Space Dogs, the Musical March 29, 2022
  • Mike Bartlett’s Cock Stands Up Strong in the West End March 25, 2022
  • The New Group’s Black No More Rushes In and Awkwardly Dances Forward March 20, 2022
  • The Grand’s Room: A Wonderful Evening’s Escape March 18, 2022
  • Audible Theatre’s Long Day’s Journey Into Night Finds Sizzle in its Shortening March 11, 2022
  • Actress/Activist Pooya Mohseni On Her Role In Sanaz Toossi’s ENGLISH – Part 2 March 5, 2022
  • The Long and Intensely Satisfying Prayer for the French Republic March 5, 2022
  • Out of Time at the Public Delivered Crisply In, Wisely Knitted by NAATCO March 1, 2022
  • Broadway’s Revival of The Music Man Entertains Charmingly February 28, 2022

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