January 27, 2026January 27, 2026 ross

The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection

January 26, 2026January 24, 2026 ross

Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story”

January 21, 2026January 21, 2026 ross

Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays”

January 20, 2026January 19, 2026 ross

A Table, a Knock, and a Thousand Spirits in “Pu Songling: Strange Tales”

January 19, 2026January 18, 2026 ross

Breath Held: History, Guilt, and Reckoning in Irish Rep’s “The Honey Trap”

January 17, 2026January 17, 2026 ross

Scratching at Reality: “Bug” and the Seduction of Shared Madness

January 11, 2026January 10, 2026 ross

From Jinkx’s Judy to Erivo’s Dracula: A Theatre Junkie Plots a London May

January 10, 2026 ross

My Favourite Week of the Summer is at The Stratford Festival

January 9, 2026January 9, 2026 ross

The Clock Ticks, but the Stakes Never Rise: “High Noon” in the West End

December 31, 2025December 31, 2025 ross

The Emotional Infinity Loop of Eldridge’s “End” at the National Theatre