December 10, 2025December 9, 2025 ross

A House That Remembers: Three Ships Collective’s “A Christmas Carol” Returns to Campbell House Alive and Entrancing

December 5, 2025December 5, 2025 ross

The Revival of Miller’s Death of a Salesman, and the Numerous Concerns Attached

December 2, 2025December 2, 2025 ross

Impossible Choices: The Brutal Beauty of MTC’s “Queens”

November 24, 2025November 24, 2025 ross

Coal Mine Theatre’s “Fulfillment Centre”: Drifting in a Desert of Dynamic Disappointment

November 18, 2025November 18, 2025 ross

Revisiting The Laramie Project: A Return to the Heart of Why We Gather

November 17, 2025November 16, 2025 ross

“Art” on Broadway: A High-Gloss Revival That Mistakes Value for Meaning

November 9, 2025November 9, 2025 ross

Death is Knocking Clear and True at the Door of Soulpepper’s “The Comeuppance” and Icarus Theatre’s “DNA”

November 8, 2025November 8, 2025 ross

“The Far Side of the Moon” Fails to Orbit My Imaginative Soul at Bluma Appel Theatre, Toronto

November 5, 2025November 5, 2025 ross

“Endgame” at Irish Arts Center: Druid’s Bleakly Beautiful Study in Survival and Stasis

October 20, 2025October 20, 2025 ross

The Grand Theatre’s “The Play That Goes Wrong”: Still Hilariously Right