October 12, 2025October 12, 2025 ross

Wondrously “Waiting…“, Wanting, Watching: Beckett on Broadway and Beyond

October 10, 2025October 15, 2025 ross

‘The White Lotus’ Will Sharpe Stars Alongside Paul Bettany in the Upcoming “Amadeus” Series

October 5, 2025October 5, 2025 ross

Jeremy O. Harris’s “Slave Play” About Race, Sex, and Therapy Hits Toronto’s Canadian Stage Like a Fever Dream

September 28, 2025September 27, 2025 ross

Acton Says: …And I Feel Fine: “The Cherry Orchard” at Rutgers Presbyterian Church

September 21, 2025September 21, 2025 ross

The Coal Mine’s Ferociously Funny and Wantonly Wise “Waiting For Godot”

September 18, 2025September 18, 2025 ross

Lucy Kirkwood’s “The Welkin” Unloads a Not-to-be Missed Fierce Battleground of Misogyny, Motherhood, and Moral Reckoning

September 12, 2025September 12, 2025 ross

Shaw Festival Sings Loud and True with their “Blues for an Alabama Sky”

September 9, 2025September 6, 2025 ross

The Shaw Festival’s “Gnit” is Not to be Missed. Or Maybe it is (But I don’t think so)

September 7, 2025September 7, 2025 ross

Shaw Festival’s “Wait Until Dark” Grips Tight on the Knife’s Edge of Darkness

August 31, 2025August 31, 2025 ross

Acton Says: Scary stories to tell in the dark in Irish Repertory Theatre’s “The Weir”