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May 3, 2018 ross

The Iceman Cometh with a Surprisingly Energetic Drunkenness to the End of the Line.

May 2, 2018May 2, 2018 ross

The 2018 Tony Nominations are Announced

May 1, 2018 ross

The Irish Rep’s Seafarer Sends Out an S.O.S.

May 1, 2018May 1, 2018 ross

Edward Albee’s Three Tall (and Amazing) Women on Broadway

April 30, 2018April 30, 2018 ross

CAROUSEL Leads Chita Rivera Dance Award Nominations 2018

April 30, 2018April 30, 2018 ross

Harry Potter and the Cursed Child: Simply Cape-tastic and Magical.

April 28, 2018February 20, 2019 ross

A Gorgeous Carousel Ride with a Beautiful My Fair Lady

April 26, 2018 ross

2018 Drama Desk Award Nominations

April 26, 2018April 26, 2018 ross

Mlina’s Tale: The Lyrical and Disturbing Tale of the Tusk

April 26, 2018April 26, 2018 ross

Nominees Announced for 8th Annual Off Broadway Alliance Awards

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Recent Posts

  • “When You Close Your Eyes” Meets “The Liberation” in a Disturbing Search for Belonging November 11, 2026
  • “De Profundis: Oscar Wilde in Jail” Finds New Life in Rick Miller’s Performance November 10, 2026
  • “All the Cows Are Dead” Debates the Art of Butchery and Poetry November 9, 2026
  • “The Last Glory Hole” Gives Buddy Cole the Last Laugh November 8, 2026
  • “MONKS” Turns a Spanish Monastery into a Playground of No-Nun-sense November 7, 2026
  • “Falling” Puts Friendship and Romantic Fantasy on a Collision Course November 6, 2026
  • “Black Doves” Is Back, and I’m Ready for More Christmas Chaos November 5, 2026
  • “Neverman” Finds a Lifetime of Resistance Facing the Cruelty of Dementia November 4, 2026
  • “The Assassin(s)” Makes the Fight for Truth and a Free Press Feel Urgent November 3, 2026
  • “Being Heumann” Makes History Impossible to Ignore November 2, 2026
  • “Wild Horse Nine” Gives John Malkovich and Sam Rockwell a Killer Double Act November 1, 2026
  • “Dracula: A Comedy of Terrors” Gives the Grand a Bloody Good Time October 31, 2026
  • “Tales of the Damned” Turns Campbell House Into a Deliciously Wicked Halloween Nightmare October 30, 2026
  • “Rent” Still Has My Heart, Thirty Years Later October 29, 2026
  • Antonio Says, “Degenerates” Finds a Dangerous Divide Between Loneliness and Hate October 28, 2026
  • “Coward” Finds a Fragile Love in the Shadow of the First World War October 27, 2026
  • The Shaw Festival Comes to Toronto’s Waterfront, and I’m Already Kicking Myself About Missing “Sleuth” October 26, 2026
  • “The Beloved” Turns a Father-Daughter Reunion into a Brutal Exercise in Artistic Control October 25, 2026
  • “Sunburn” Finds Poetry in a Sweltering Toronto Summer October 24, 2026
  • “YAGA,” “Possible Love,” and “A Talent for Murder” Bring TIFF 2026 to Toronto Screens October 23, 2026
  • “A Talent for Murder” Plays a Dangerous Game with Patricia Highsmith and Tom Ripley October 23, 2026
  • “Downstate” Finally Arrives on Broadway Tonight, and I’m Ready to Enter That Difficult House Again October 22, 2026
  • “Atonement” Searches for Forgiveness in the Wreckage of War October 22, 2026
  • “Kramer/Fauci” Turns a 1993 AIDS Debate Into Electrifying Theatre October 21, 2026
  • “2:22 – A Ghost Story” Is Coming to Off-Broadway, and I’m Already Watching that Damn Clock October 20, 2026
  • “Pre-Existing Condition” Finds the Wounds That Time Cannot Close October 19, 2026
  • “Bitter Christmas” Turns the Origin of Creation Into a Beautiful, Layered Act of Betrayal October 18, 2026
  • Tarragon’s “Prophetess” Has a Warning for the Room October 17, 2026
  • “Good Time Charlie” Knows Everyone Loves a One-Act Play October 16, 2026
  • Crow’s “A Fine Balance” Heads to Soulpepper After Record-Breaking Run October 15, 2026
  • “ANON: a tempest at our kitchen table” Unleashes Suburban Panic at MCC Theater October 15, 2026
  • Stratford Festival Announces the Acting Company for Its Landmark 75th Season October 14, 2026
  • A24’s “The Debut” Sends a Housewife’s Community Theatre Dreams Gloriously Off the Rails October 13, 2026
  • “Paranormal Activity” Turns Broadway Into a Playground for Theatrical Terror October 12, 2026
  • “The Man I Love” and “Ancestors” Find Queer Connection in the Shadow of AIDS October 11, 2026
  • “Club Kid” Finds a Different Kind of High in Unexpected Fatherhood October 10, 2026
  • “Below” and “YAGA” Have Me Wondering What’s Lurking in Canada October 9, 2026
  • “Così fan tutte” Has Me Questioning the Wisdom of Testing Love October 8, 2026
  • “Possible Love” Finds the Fault Lines Between Class, Desire, and the Stories We Tell October 7, 2026
  • Antonio Says, “It Is in Pardoning That We Are Pardoned”*: How Shakespeare Turns Theatre Into a Testimony of Salvation October 6, 2026
  • “Bootycandy” Takes a Wild, Wicked Tighty-Whitey Ride Through Black Queer Identity October 5, 2026
  • “Wine in the Wilderness” Turns an Artist’s Loft Into a Reckoning Over Who Gets to Define a Black Woman October 4, 2026
  • Antonio says, “Give crowns and pounds and guineas- but not your heart away” October 3, 2026
  • “Misty Green” Breaks Your Heart One Bad Decision at a Time October 3, 2026
  • “Tales of the Damned” Returns to Campbell House to Haunt Toronto All Over Again October 2, 2026
  • Stakes & Embers’ “Aye Caesar” Asks for a Disconcerting Level of Consent, Then Takes Us Somewhere Much More Personal October 1, 2026
  • A Young Man Climbs From Beneath the Snowy Silence in “A Long Winter” September 30, 2026
  • “La Traviata” Has Me Having a Very “Pretty Woman” Moment at the Canadian Opera Company September 29, 2026
  • “To a Flame” Sets Gothic Horror Ablaze with Women, Shadows and Silence September 28, 2026
  • “Spring Awakening,” the Play, Crackles with Desire, Rebellion and Shame at Soulpepper September 27, 2026

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