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January 28, 2017January 28, 2017 ross

The Tempest: A Fond Farewell to a Political Prisoner

January 26, 2017January 26, 2017 ross

The Liar: An Un-Warrented Knee Jerk Reaction to Rhymes

January 24, 2017January 24, 2017 ross

August Wilson’s Jitney: An Eclectic Jazz Piece of Playwriting

January 22, 2017January 26, 2017 ross

Oscar Nomination Predictions 2017

January 19, 2017January 20, 2017 ross

Albatross: A Campfire Tale about Mindfullness and Burdens

January 19, 2017January 19, 2017 ross

LaBute New Theater Festival: Light When We Wanted Darker

January 16, 2017January 17, 2017 ross

The Beauty Queen of Leenane: The Poor Dark Irish Cousin to Chekhov

January 15, 2017January 15, 2017 ross

Made in China: More Than Just 70% Good

January 14, 2017January 14, 2017 ross

The Present: The Bang is Big but Not Deep

January 9, 2017January 9, 2017 ross

Julian Rosefeldt + Manifesto + Blanchett = Insanely Intense and Stunningly Powerful

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Recent Posts

  • A Modern Classic, “In the Heights” Returns Home to NY City Center This Fall May 7, 2026
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  • Izzy Says: Come From Away Lands True at the Grand Theatre with Heart and Humanity  May 5, 2026
  • Four Wins and a Clear Voice: “Mexodus” Leads the 41st Lucille Lortel Awards May 4, 2026
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  • “Masquerade” Invites Us Into the Shadows of the Opera House May 2, 2026
  • “Schmigadoon!” Kicks Its Way Into Joy on Broadway May 1, 2026
  • New York Drama Critics’ Circle Crowns “Little Bear Ridge Road” Best Play of the Season May 1, 2026
  • The 2026 Chita Rivera Award Nominations Dance Into Focus April 30, 2026
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  • The 2026 Drama League Awards Nominations Signal a Season Worth Celebrating April 20, 2026
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  • Old Friends, New Reach: “Merrily,” “Hadestown,” and “Six” Expand Beyond the Stage April 3, 2026
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  • Memory in Motion: “Gotta Dance!” Brings Broadway’s Choreographic History to Life March 31, 2026

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