April 14, 2026April 14, 2026 ross

Counting the Cost: “The Adding Machine” and the Mechanics of Living

April 13, 2026April 14, 2026 ross

Glitter, Fur, and Full Commitment: “Cats: The Jellicle Ball” and “Titaníque” Refuse to Behave on Broadway

April 13, 2026April 13, 2026 ross

Across the Atlantic Again: Olivier Winners Mark a Season That Refused to Sit Still

April 11, 2026April 11, 2026 ross

So How Does Anyone Begin? “Antigone (This Play I Read in High School)” Reclaims a Voice Long Interrupted

April 10, 2026April 10, 2026 ross

Holding the Weight Together: “My Joy Is Heavy” Finds Music Inside Grief

April 9, 2026April 9, 2026 ross

Searching for the Signal: “Dog Day Afternoon” Finds Its Pulse but Struggles to Sustain the Heat

April 8, 2026April 8, 2026 ross

Forward, Backward, and Right Through the Heart: “The Last Five Years” Finds Its Voice at Radio City

April 7, 2026April 7, 2026 ross

Power, Politics, and Personal Fractures in Roundabout’s “Chinese Republicans”

April 4, 2026April 4, 2026 ross

A Town You Might Not Want to Leave: Schmigadoon! Begins Its Broadway Journey

April 3, 2026April 3, 2026 ross

Old Friends, New Reach: “Merrily,” “Hadestown,” and “Six” Expand Beyond the Stage